doubloon wrote:SuthDet wrote:... a large space, pretty far from walls. Ie, very similar to identical results as outside. ....
Now you're just making stuff up as you go along. Previously you said the requirement for indoors was 25 yards by 100 yards.
Sound waves bouncing off a wall have to obey the same laws of physics as a rubber ball bouncing off the same wall.
No matter how hard you throw either of them at that wall they will have less energy on the return trip than they did going there at any point along the journey. 3 feet, 25 yards, 3 yard, 30 meters, it doesn't matter.
For a single Impulse I agree, but that is not the case.
Through some discussions, research, and testing, I've come to a much better explanation than I had earlier, and I can explain it much better as well.
First, there's a few points that have to be accepted to make it work.
1. "Sound waves" aren't really a thing. What you hear are pressure waves traveling in a certain frequency.
2. We're measuring the pressure (spl) and converting it to dB.
3. Air has mass.
4. Since it has mass, moving air has momentum.
5. Air is compressible, and when it compresses, the pressure increases.
6. The total event of gas leaving a centerfire suppressor is more than 500 milliseconds, an unsuppressed shot is much shorter (I forgot to look at how long it was).
7. Testing at the mil spec height, the data collected is the same over dirt on concrete.
So, in a small space, where the microphones are near a hard surface (wood, concrete, metal), I'm not 100% sure on the max distance for this to have a effect, and it will very depending on whether it is the distance in front of the muzzle, or to the sides, the muzzle gas and pressure waves will impact the wall. The gasses will try to bounce back (just like the rubber ball), but the gas will collide with the gasses still leaving the muzzle. The momentum of the gas will cause the gas to compress, causing the pressure to increase near the wall (the same as a cylinder filling after the piston has passed bottom dead center but the intake valve is still open). This high pressure area will then do 1 of two things (it gets a little fuzzy here, but I am going somewhere) it either envelopes the microphone in that high pressure zone (unlikely do to the pressures needed to create 130+db)or, it acts like a spring, sending off higher pressure waves than were entering it.
No changes in energy, just converting kinetic energy to potential energy, and then potential energy to kinetic. Energy still goes into the wall, but fewer, higher pressure, waves leave the wall, causing the increase in spl that we see.
Again, this isn't standard kinematics, we're dealing with high velocity and high pressure compressible fluids. Things act differently.